The logo on the header bar

The two files supplied are drawn for a light background: the wordmark is dark brown, and the white areas of the crest — including the three figures — are transparent rather than white. This page shows the options on the dark bar and on the light bar, so the difference can be judged directly.

1  The horizontal logo

The supplied file, used as it comes.

1aHorizontal logo on the dark bar61% of the artwork loses contrast

The wordmark is dark brown on dark brown. The crest survives, but the words alongside it very nearly disappear.

1bHorizontal logo on the light barreads as intended

This is what the file was drawn for. No white panel is needed, because the background is genuinely transparent.

2  The crest alone

Smaller, and it leaves room for the menu — but the three figures are transparent, so they take the colour of whatever sits behind them.

2aCrest on the dark barfigures turn dark
AVOSA crest

The blue and sand shapes hold up well. The Holy Family, however, is drawn as white space, so here the figures fill with brown instead of white — recognisable, but not the artwork as designed.

2bCrest on the light barfigures read correctly
AVOSA crest

The figures read as white, as intended, because the page behind them is pale.

3  Crest with the name set as text

A third possibility: use the crest as artwork and set the name in the site’s own lettering, so its colour can be chosen to suit the bar. This works on either background and stays sharp at every screen size, because the words are text rather than part of the picture.

3aCrest and text on the dark barworks
AVOSA crest Apostolic Vicariate of Southern Arabia The Catholic Church in UAE, Oman & Yemen

The figures still fill with brown, as in 2a. Option 4 shows the same layout with the figures in solid white.

3bCrest and text on the light barworks
AVOSA crest Apostolic Vicariate of Southern Arabia The Catholic Church in UAE, Oman & Yemen

Everything reads correctly, and the lettering matches the rest of the site rather than being a picture of lettering.

4  Crest and text, with the crest filled for the dark bar

Option 3a with the crest prepared so its figures read as white on any background.

4White-filled crest and text on the dark barworks
AVOSA crest Apostolic Vicariate of Southern Arabia The Catholic Church in UAE, Oman & Yemen

This crest is made from the supplied file. The pale areas inside the shield — the Holy Family and the gaps between the bands — are filled with solid white, as the crest appears on paper; the drawing itself is unchanged, and everything outside the shield stays transparent. If the designer has an official version for dark backgrounds, it would take its place.

What the files contain

FileSizeTransparentHard to see on the dark barHard to see on the light bar
Horizontal, transparent2539 × 82788%61%39%
Crest only685 × 70971%38%62%
Colour, JPEG2518 × 813none — JPEG cannot carry transparencyunusable over any coloured bar

Neither file contains a single solid white pixel: every pale area is a transparent hole. That is why the figures change colour with the background, and it is the reason a version drawn for dark backgrounds would settle the question for good.